How to Train Your Dragon (2010): A Masterclass in Storytelling Disguised as a Family Film
- Yassie
- May 16
- 3 min read
With the live-action adaptation on the horizon, there’s no better time to return to the windswept cliffs of Berk and remember where it all began. Before the sequels, the spin-offs, and the cultural legacy, it was just a boy, a dragon, and a quiet revolution. Let’s revisit the original How to Train Your Dragon and explore why its storytelling still soars.

How to Train Your Dragon isn’t just a film you watch; it’s one you feel. It doesn’t rely on cleverness or genre gimmicks. What makes it endure, more than a decade later, is its commitment to storytelling that cuts deep. Everything—from the score to the subtext—exists to elevate the emotional spine of the story. It’s not trying to be impressive. It’s trying to be honest. And it succeeds.
At its heart, it’s a coming-of-age story, yes. But more than that, it’s a story about empathy, identity, and courage wrapped inside a high-stakes dragon-riding adventure. Hiccup, a Viking misfit, isn’t the hero because he’s strong. He becomes one because he dares to see the world differently. And the storytelling doesn’t just say this but shows it. The narrative arc earns its payoff through silence, tenderness, and earned trust, especially in the wordless “Forbidden Friendship” scene. It’s a film that trusts its audience to feel the unsaid.
The emotional arc doesn’t cheat. Hiccup doesn’t win because he’s clever. He loses something real—his leg. But in that loss, he and Toothless become even more bonded. It’s this kind of narrative choice that elevates HTTYD from a fun film to a great one. The movie ends not with a “hero’s victory” but with a reshaped world and a reshaped boy, wounded, wiser, but full of hope.
The structure of the film is deceptively simple. Beat by beat, it moves with emotional purpose. Every scene serves the arc. Every turn—whether it’s Hiccup’s first flight or Stoick’s reluctant change of heart—pushes the characters forward and reflects a larger truth: people (and cultures) can change if they learn to listen.
And that’s where the themes do heavy lifting. HTTYD uses dragons as metaphors. The dragon-human conflict is a reflection of real-world prejudices: how we fear what we don’t understand. As Hiccup says, “Everything we know about you guys is wrong.” That line is the emotional thesis of the film. The allegory doesn’t shout; it breathes quietly beneath every interaction. It invites the viewer to unlearn fear.
What also makes this story so layered is its subtle challenge to toxic masculinity. Hiccup doesn’t prove himself by becoming like the other warriors. He rewrites the definition of strength altogether. His victory isn’t dominance but cooperation. And Stoick’s evolution, from hardened chief to a father who learns from his son, is quietly powerful. Even Astrid’s arc, the way she’s allowed to be tough and still soften without being “lesser” adds nuance to the gender roles at play.
The storytelling is also supported by its score. John Powell’s music isn’t just background; it’s emotional architecture. His use of soaring orchestral themes, Celtic flourishes, and quiet motifs gives the story scale and heart. You feel every beat of Hiccup and Toothless’s flight because the music flies with them.
Lastly, HTTYD doesn’t condescend to its audience. It assumes emotional intelligence in its viewers, especially kids. It shows that scars don’t weaken us. That peace requires sacrifice. That leadership can look like compassion. And in doing so, it gives us not just a story, but a memory that lingers.
This film is loved not just because it’s entertaining. It’s loved because it understands. Through Hiccup, we see the misfits, the ones that don’t belong, ones that are a little bit different. And instead of blending in, he gives us the wings and courage to be comfortable in our own skin, our own voice; and through that, we gain strength. We gain wings to soar.
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